the first thing that u will notice is that her voice is drenched in annoying processed chorus effects. though she has largely abandoned her deep, powerful “man-size” vocals in favor of uh huh higher registered notes, adding effx only further effs shit up. miss ur mighty roar pj.
second… she has probably been smoking a lot of dank and vibing out to major lazer. “written on the forehead” floats on indie-credible ‘verbed out raggafied guitars and wailer-esque background vox.
interesting… and nice to see some evolution. hope “let england shake” will further rattle our notions of polly jean.